The late Harris Savides didn’t want to shoot “Zodiac” digitally, but he proved to be the perfect cinematographer to take the medium to the next level. “1917” “All These Sleepless Nights” “Antichrist” “Birth” “Black Swan” “Bright Star” “Burning,” “Collateral” “Decision to Leave” “The Diving Bell and the Butterfly” “Dunkirk” “The Fall” “Fire Will Come” “The Fountain” “The Grand Budapest Hotel” “The Grandmaster” “The Great Beauty” “Her” “Isle of Dogs” “Ixcanul” “Killing Them Softly” “La La Land” “The Last Black Man in San Francisco” “Let the Right One In” “Leviathan” “Lust, Caution” “Macbeth” “The Master” “Melancholia” “Midsommar” “Neon Bull” “New World” “No Country For Old Men” “No Time To Die” “Pan’s Labyrinth” “Parasite” “The Prestige” “Renoir” “The Revenant” “Rush” “Sicario,” “Silent Light” “Spectre” “Spring Breakers” “Tragedy of Macbeth” “The Turin Horse” “Uncut Gems” “Under The Skin” “What Lies Beneath” “Wonderstruck” “Y Tu Mama Tambien” “Zama” 60. Ranking cinematography is, in some ways, a fool’s errand given the broad variety of genres, resources, and intentions encompassed by the films below, but these are 60 titles that IndieWire believes will stand the test of time. It’s also the first to be spearheaded by the IndieWire Craft team, which has grown considerably since this list was first published. In 2017, IndieWire made a list of the best-shot feature films of the century thus far the list was updated in 2020, and what follows is the third and most extensive version of the list. The art of cinematography, however - using light, color, and texture to express ideas and elicit emotional reactions from the audience - remains intact. The technology of cinematography has undergone some of the most seismic shifts in film history this century, with what began in the 2000s as an almost entirely photochemical process transforming into the digitally captured, manipulated, and projected images of today.
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